Streaming Roseanna Online
Monday, June 30, 2014 by watchstream
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Natascha, a White Russian countess, stows away on a luxury liner at Hong Kong, determined to seek a new life in America. Natascha hides in the cabin of Ogden Mears, a millionaire diplomat, thereby causing an endless stream of misunderstandings and complications; particularly when his wife, Martha, joins the trip at Honolulu, necessitating a 'marriage' to Ogden's valet, Hudson, a saronged-dive overboard and more subterfuge on the part of Ogdon and his associate, Harvey.
Good movie made ten years too late. A must see for fans of Chaplin, Loren and Brando.
This is a good movie if you like old-fashioned, 50's style, bedroom farce, romantic comedies. Unfortunately, it was made in 1967 when films for adults were much more direct about sexuality, so this one was already out of date when it was released. It's a bit of nostalgia, but fun.
What I liked the most when I saw this on video last night was the fact that Sophia Loren, who by today's standards would be considered almost obese, was admired for her womanly shape, wit, grace and intelligence. She is absolutely stunning even when she wears Marlon Brando's character's pajamas.
This is Charles Chaplin's last film and I enjoyed his characteristic soundtrack music. It's filmed as a play with only a few sets.
Posted in: 1967 | 0 comments | |
Sunday, June 29, 2014 by watchstream

A mother drops her son and husband off at a tropical vacation spot for a little rest and relaxation. The only problem is that the husband has been dead for quite some time, and his wife had him stuffed and carries him around with her. Complications ensue.
Too self-conscious for its own good
Okay, so the sixties was the decade when lots of rules were broken and new frontiers were forged. Unfortunately, alot of this rule-breaking looks self-indulgent and stupid now. Take the case of OH DAD ..., which is based on a George(or is it William?)Kopit play. Not quite absurdist but definitely absurd, the story involves a woman who lugs her dead husband's corpse with her and her adult virgin son as they traverse various resorts. Rosalind Russell is the white-clad, pastel-wigged mother, Robert Morse the wimpy man-child, and Jonathan Winters is Poor Dad in the closet(also the narrator). Also on hand is Barbara Harris as a young nymphet--one of the few reasons to see the movie. I happen to like Harris, and her film roles are few and far between(FREAKY FRIDAY and FAMILY PLOT are probably her most readily available films), so I grabbed POOR DAD at a small independent video shop several years ago. Harris is a great comic actress, and although she is one of the good things about POOR DAD, it's not one of her better efforts.
Winter's character narrates and points out the plot points of this film as it goes along, almost to cue the audience how to react to the next scene. It's interesting to note that, despite all the big names, this movie tanked. Probably because nobody knew what the hell this movie was--Winters' wacky narration and the goofy flashbacks detailing his courtship and marriage of Russell (who parodies her Auntie Mame persona) stab at being comic in that manic 1960s way (think of the way the old Monkees TV show was shot), or some kind of weird symbolic representation of the spiritual bankruptcy of the collective American soul (nobody has a corpse in a closet strickly for shtick purposes). And THAT TITLE . . . a sure sign the film is a bomb. If you're a student of film and feel the need to survey the various kinds of films that were perpetrated during the sixties, you might want to give this one a try. Or maybe not
Posted in: 1967 | 0 comments | |
by watchstream

You'll Love Brighty
This movie is a heartwarming story of a lovable burro named Brighty and his high spirited adventure with all his Grand Canyon friends. I bought the video a few years ago for my children and we all enjoyed it. Brighty leads everyone on quite a chase around and through the beautiful Grand Canyon and shows just how smart burros can really be.
Just purchased the DVD release for my visiting grandchildren and we have already had to show it several times. Great family entertainment for a change. You'll Love Brighty.
Posted in: 1967 | 0 comments | |
Saturday, June 28, 2014 by watchstream

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.
Gripping depiction of obscure WWII history
I had thought the title of this one was an American invention to capitalize off of the American film The Longest Day, but I do believe "Japan's Longest Day" is the actual title. It has nothing to do with the other film. It, in fact, depicts perhaps the most tense day in modern Japanese history, the 24 hours between August 14th and 15th, 1945. The simplified version of WWII history has the Japanese quickly surrendering with their tales between their legs after the Allies dropped the bomb on Hiroshima and Nagasaki, but a nation so wound up in nationalistic and militaristic pride wasn't ready to give up that easily. The film doesn't depict the citizenry one could imagine they would be mostly sick of war. But the military certainly was ready to go all the way, to have every person in Japan martyred. Emperor Hirohito, who is supposed to be looked upon as divine by his people, decided that his empire must surrender. Many of the heads of military only agree grudgingly. Many of their underlings rebel. Hirohito makes a recording of his surrender message, to be played at noon on the 15th. A group of soldiers tries to rally others not to listen, and they attempt a coup and try to steal the record. The film is long 2 hours and 37 minutes. We are given the names of every single character in the film I would venture to guess that over 100 names are thrown at us over the film, right up until the end. It's difficult to follow, but I don't believe it's necessary to understand every nuance of what was happening. The previous year, Kihachi Okamoto made what is probably his best (and best-known) film, Sword of Doom. Why choose him for this project? Well, there is at least one scene where that is pretty much answered (just remember that the Japanese soldiers still had samurai swords). Really, though, I don't think the direction is that impressive. As a film, it's nothing fantastic. But for the depiction of the minutiae of history, it's well worth watching. Toshiro Mifune, Takashi Shimura and Chishu Ryu all have large roles, but I honestly didn't even recognize them. They fade into these historical characters perfectly.
Posted in: 1967 | 0 comments | |
by watchstream

Replaying the same roles with few new ideas
Nice opening sequence: Winnetou rides onto the screen with dramatic music and soon rescues a young boy who is attacked by an eagle. Regrettably, the initial energy is not kept up at the same level. The movie tells the story of Apanatschi (young Uschi Glas) and her little brother Happy who need protection by Winnetou (Pierre Brice) and Old Shatterhand (Lex Barker) because they know where a gold mine is. Bandits with their leader Curly Bill want to know, too - and they stop at nothing and even killed Apanatschi's father.
After the classic Silver Lake", the larger-than-life Winnetou trilogy and the three easy-going movies starring Stewart Granger, Half-Breed" feels a bit tired to me. Lex Barker and Pierre Brice replay their famous roles, but there are hardly new ideas. More violent action, less feeling, could be the summary of my impressions.
Posted in: 1966 | 0 comments | |
Friday, June 27, 2014 by watchstream

The lady of a top fashion magazine doubles as a jewel thief and becomes involved in Moroccan intrigue.
If your time is limited, find something better to watch...
This comes under the heading of 'could have', 'should have' been a decent movie. Instead, it is a catalog of wasted opportunities.
Specifics: leading man Gene Barry acts like he would have been happier beating up suspects rather than romancing a bevy of beautiful babes.
Speaking of babes, this was filmed during the 'swinging 60s' - so it wouldn't have hurt to have shown some of the great legs and/or cleavage. What was the point of casting the gorgeous girls if you were going to keep them covered up? There seems to have been a lack of energy among the movie-makers - caused by the heat of the location? When the hero pulls his car off the road (to avoid pursuers right behind him), there is a great cloud of dust which the bad guys would have seen - but didn't. A small detail - but indicative of the phone-it-in attitude of the production crew.
Posted in: 1967 | 0 comments | |
by watchstream

A secret agent is assigned to get the formula for a process that can drain nuclear energy from an element called spurium.
Terrible unfunny spy spoof
Tom Adams is Agent Vine (not Bond) in this film that is so unfunny that it runs way too serious and makes the film look like a poorman's James Bond clone. The opening scene involving agent dressed in drags, cool opening credit, and the Sidney James scene is the only highlight in this film. Either than that, the film is just plain boring. Adams played the character well, but the script didn't leave him to do much spoof or comedy that he's character runs flat. Very disjointed script. Not recommended.
Posted in: 1966 | 0 comments | |
Thursday, June 26, 2014 by watchstream

Vinay, an ordinary young man who finds himself constantly mistaken for a look-alike jewel thief named Amar. Vinay works with the police to impersonate Amar and crack his crime ring--but it seems that Amar has decided to impersonate Vinay, as well, and soon their true identities are thoroughly muddled.
Bollywood bliss from 1967
(Note: my comments are comments from an Indian Movie education in progress)
Foreigners with an idea of what you might find in Bollywood movies -- this one is your dream come true if it's the dream of color color color, great music, amazing clothes, and delight upon delight. This one for your collection.
My own experience of hunting down a list of the best 50 movies of India, for a start, has been to learn of their infinite variety as well as some of the conventions many of them follow. But this one is close to my original dream of what I would find: the "Jewel Thief" plot line allows us to revel in massive displays of jewelry from the great jewelry culture of the world; the plot also takes Dev Anand, as the apparent identical twin of a hunted jewel thief, into a variety of over-the-top luxe settings, some "Indian" looking (palaces), some done up in spectacular 1960s Mary Quant era British-influenced go-go/kicky style.
The plot also take Dev Anand into relationships with a large number of beautiful and beautifully-dressed women, including the incomparable Helen whose night-club dance in a costume with jewel-dripping tights and a rooster tail should not be missed by a single pleasure-loving soul.
The artistic and plot climax is a gigantic dance in a palace in Sikkim (or Srinigar, I am not sure) with women in some kind of traditional costume, drummers in Tibetan Buddhist (again, I think) masks. There's a great still photo of this in the Film Comment Bollywood issue, I think May 2002.
English translation apparently provided by same person who did Hare Rama Hare Krishna, not hard to get used to and on balance I am just grateful it exists, though wish for song lyric translations.
Posted in: 1967 | 0 comments | |
by watchstream

To honour her father's dying wish, Queen Salina shares the rule of Icena with Justinian, a fair and just Roman. This displeases the bloodthirsty Druids on one side and the more hard-line Romans on the other. As Salina and Justinian fall in love their enemies start to plot, and blood soon stains the green hills of Britain.
Low-budget and low-brow, but has some degree of camp appeal
During the height of the breasts-on-display, low-budget-epic era in the mid-60's, Murray got off at the wrong "Bus Stop" and wound up flailing around in this sword and sandal howler. He plays the Roman ruler of a Celtic tribe in ancient Britain. The Celtic King dies and appoints one of his three daughters to rule in his place (even though she is virtually a figurehead because of the Roman occupation.) He picks Carita and, because her mother was a Viking, she is dubbed The Viking Queen. (Apparently, she picked up her mother's accent along the way even though she was raised in Britain?) Murray and Carita have an affection for one another, but it is put to the test when he leaves to fight an enemy and his second-in-command starts wreaking havoc on her people. Finally, she's had enough and rises to battle the Romans even at the expense of her relationship with Murray. Carita is lovely (as any former model should be), but her acting inexperience shows much of the time. Murray couldn't possibly be more miscast and he and Carita have only adequate chemistry at best. They do have their own little mini-Ben Hur chariot race which ends up in a swamp, but their great love is not aptly demonstrated in the film. Corri and Pagett play her sisters. One looks old enough to be her mother and dabbles in the occult while the other has a tentative love affair with a local bruiser played by Caffrey. Houston is a raving, rabble-rousing Druid priest who, at times, makes Victor Buono look subtle. Actors like Keir and Troughton attempt to give real performances, but are done in by the pedestrian script. The ad copy for this film promised all sorts of wild events on screen, but most of them are presented in a more-than-tame manner. There is also a heavy dose of hilarious feminine pulchritude on display as scantily-clad ladies show off their bodies with strategic arm, pasty and hair placement to cover the naughtiest bits while they lie around stroking and petting the various men of the cast. One, in particular (referred to as the Nubian slave) is an obviously Caucasian girl in blackface with "Star Trek" make up who probably has more costume changes than the lead! It's not the dullest film ever made and has a few intriguing moments and some eye-catching scenery and costumes, but doesn't hold up as history, nor as titillation.
Posted in: 1967 | 0 comments | |
Wednesday, June 25, 2014 by watchstream

Annie Jensen is released from a young girls' institution. The colorful Annie makes her way through Denmark and to Copenhagen. When she is part of a brawl she is put in the care of the Hyldersens, a devout family who expect her to say prayers and keep a curfew. Instead, she spends time with two men - the straightforward singer-songwriter Anders and the stiff but sweet upper-class boy Christian. When authorities seek an explanation to her escapades she finds herself caught between the Hyldersens and the two men. She must find out, who does she belong to?
Mixed impressions
Some may be surprised to learn that there were quite a lot of Danish musicals around the middle of the 20th century, almost exclusively of light and comedic character. Like in Hollywood, the phenomenon diminished in the last decades of the century and has until now only been resurrected in children's film and cartoons. And, if you like, in "Dancer in the Dark".
"Jeg er sgu min egen" stars the popular Daimi in what reads like a recipe for success; the film is written by one of the country's most popular writers (Rifbjerg), directed by one of the country's most popular directors (Balling) and has a score by one of the country's most popular composers (Fabricius-Bjerre).
Upon closer view, and watched thirty-six years after it opened, it certainly has some surprising content and entertainment, but is also a tiring experience. The main story is simple bordering on dull, albeit interesting for its light-hearted take on sex roles and the women's lib movement. Characters range from the subdued to the wacky, giving a mixed overall impression; I will note another misuse of the sometimes wonderful Poul Reichhardt in a role as a dream-sequence naval captain. Musically, only a few songs grabbed my attention, notably "Jeg sætter min hat som jeg vil", a Danish classic, and while the score is light and playful, it is perhaps not of significant interest. An advantage is the delightful cinematography in on-location settings in Copenhagen.
Posted in: 1967 | 0 comments | |
by watchstream

The son of an assassinated feudal lord, in the Muromachi period, attempts to avenge his father's death and meets Kagemaru, a renegade ninja helping peasants and farmers rebel against Oda Nobunaga's regime.
What an exciting story!
Ninja Bugei-cho is a very exciting film, and its excitement, for me, relies solely on its powerful story. It is also a very strange film because it consists of only still cartoon-drawings with voice-over and sound effects. Seeing this film is somehow similar to reading a fascinating comic book or storyboard. While the pictures on the screen are not moving, this film, similar to any comic book, gives freedom to our imagination to move the pictures in our mind.
I'm very impressed with its fast pace. The story is very dense. What is told in its 131-minute length can be told easily in 30-hour-long tv series. Imagine all the excitement in 30-hour-long tv series being compressed into 2-hour movie. There are many climaxes, and I think even the story of each member of the Kage family has the climax of its own.
But while the story is full of interesting characters, it lacks deep characterizations. Most characters are as flat as its material, but I don't think that is a flaw of this movie. It's just a style usually found in this type of story. For a story like this, the movie must last much longer than 2 hours so that each character can be given 'real flesh and blood' or 'real subtle feelings and emotions'. I think its excitement much more than compensates for its lack of 'real life'. What this movie really does best is giving each character different fighting skill, and explaining how each of them acquires that special skill. The story of each supporting character is so interesting that each of them should be expanded into a 2-hour movie.
The two main female characters impress me a lot with their expertise in fighting. I will never forget one fighting scene in this movie which involves one pregnant character. Even a small character such as the lady bandit is very fascinating. Oshima's female characters in this movie are as charming and charismatic as in his other movies. Oshima's female characters are not the type usually found in mainstream Japanese cinema. His female characters are as physically strong, determined, bold, and fatally alluring as Paul Verhoeven's female characters.
There's one scene in this film which is very scary. It's the scene of the 'running earth'. It frightens me so much and makes me feel as if I witnessed the real event and was running away from 'them'. If this movie is a live-action, this scene might cost a lot to make it look real. But this film proves that in order to scare the audience effectively, money is not as necessary as the audience's own imagination. There are also many brutal, gruesome, and gory scenes in this movie, and they make me feel very grateful that this movie is not a live-action. Sketches of blood are much more tolerable than real-looking blood.
The ultimate pleasure and excitement I gain from watching this film are somehow similar to the ones I get from watching 'X-Men' or 'Lord of the Rings'. Each of them has a story full of cartoon-style fighting and many interesting supporting characters. However, 'Ninja Bugei-cho' doesn't give you only excitement. It also lets you exercise your imaginative power. This film is highly recommended for those who don't care if there are 'moving pictures' on the screen as long as they can create their own 'moving pictures' in their mental projections.
Posted in: 1967 | 0 comments | |
Tuesday, June 24, 2014 by watchstream

Josefin is a six year old girl who lives isolated in the countryside, where her father is a priest. She has no friends until she meets Hugo. He is a carefree boy who rather walk in the forest than goes to school. Together with the gardener they make up fun things to do.
Magical film, why can't we see it?
I saw this film in about 1972 on television. My mother recommended it. She knew a lot about movies. I thought it was the most beautiful film about childhood that I'd ever seen. I saw it again at the National Film Theatre in the mid-80s. If anything, I was even more impressed, perhaps because of seeing it on the big screen for the first time. I was so glad to find this on the database as this film seems to have been almost completely forgotten about. At the NFT, it was shown with a black and white short called "The Carp", hailing from somewhere in Scandinavia, which was about a young boy's friendship with a carp fish that his father has bought for Christmas dinner. He takes it and puts it into the swimming pool that his father is the janitor of, explaining to his father that "he wasn't very well in the bath". That also was a magic film. Does anyone out there know anything about it? But back to "Hugo och Josefin": I remember this film so well. Everything about it is perfect. It is the only film I have ever seen that succeeds in re-creating what it actually feels like to be six or seven years old. It should be mandatory viewing in film schools and it should be recognised universally as a classic. Instead, it's completely unavailable anywhere. If anyone has a copy of it, I would be eternally grateful for a chance to buy a dub of it. I don't care how bad the quality is.
Posted in: 1967 | 0 comments | |
by watchstream

Lawrence White returns to the town of Owell Rock to avenge the murder of his father, but in order to carry out his plans, he changes his name and arranges for another man to pose as "Lawrence White."
A modest but worthy "spaghetti western"
While it lacks the opera-like style and sweep of the best Italian westerns, this minor entry in the cycle has its compensations. By concentrating on a limited number of characters playing out most of their story in the confines of a small town in the Arizona Territory, "Owell Rock" achieves a bit more depth than is often found in movies of this sort. This, however, requires the viewer to pay a greater-than-average degree of attention since the plot has its convolutions and the choppy editing in the English-dubbed print appears to have left out some bits and pieces which might have made the narrative play more smoothly. In short, if you're simply in the market for a mindless shoot-'em-up which places no strain on the intellect, better look elsewhere.
Mark Damon, who graduated from sword-and-sandal movies, makes a passable hero, though his English-dubbed voice doesn't quite seem to fit him. Alas, he has no "beefcake" scenes, and though there's a whipping in the movie, he is not the victim. Luciana Gilli and Pamela Tudor provide a bit of feminine pulchritude but have little else to do.
For the record, the title in the English-dubbed tape has a comma in it: "Death, at Owell Rock." And "Owell" is pronounced "Owl."
Posted in: 1967 | 0 comments | |
Monday, June 23, 2014 by watchstream

Arthur Kipps, an orphan apprenticed to a tyrannical owner of a mercantile, has a sudden abrupt change of life when his wealthy grandfather dies and leaves him a pile of money.
Dazzling British Musical
I "accidentally" discovered HALF A SIXPENCE during 1979 on the late movie on NYC's Channel 5. I turned it on just before the "Half a Sixpence" number between Tommy Steele and Julia Foster. I didn't get to see it all, but years later it was shown on the Disney Channel. What a great movie! Great choreography (Gillian Lynne of CATS fame), charming actors playing the leads, and all that beautiful on-location photography in England! Tommy Steele sets the screen on fire when he lets loose in a dance number, and his star turn in the role of a simple lad who gets too rich too quickly and ends up miserable is believable and touching. Julia Foster is by turns sweet, vulnerable, AND feisty as his love interest, Ann.
The film (based on the London/Bdwy stage show and directed by movie-musical veteran George Sidney) has the look and feel of an old-fashioned MGM musical, which is probably why I loved it so. It seems to be more widely known in the UK - I believe it was more popular there than in the States at the time of its release, and perhaps it gets more TV airings in the UK? It's just too bad that it's not seen more often and appreciated as it deserves.
Posted in: 1967 | 0 comments | |

The hero steals the haul from the thieves, gives it back to the police but charges 10% for that.
This Psychopath is not for horror fans
Psychopath, as this video was titled, begins with thieves who steal the contents of a safe, then are attacked by James Bond as they are leaving. Well, actually a dummy head of Sean Connery. All the shots of him have his face away from the screen. Later, it's revealed it was a mask. The man with the mask is Siegpress, who charges the police or insurance companies a percentage of the value of the stolen items he steals in order to return them.
I thought this was a horror movie because of the title, the presence of Klaus Kinski, and the fact that it was labeled as a horror movie by the video store. It's more of a crime thriller with some comedy in it. As such, I really wasn't interested and kept nodding off and eventually forward scanned through the rest.
It does have some very colorful set design and some very 1960s soundtrack music. At the end there were trailers by the video distributor for this movie as well as Banana Monster AKA Schlock (1973), White Slave AKA Schiave bianche: violenza in Amazzonia (1985), and I think Primal Fear.
Posted in: 1968 | 0 comments | |
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